Portrait of Durante Alberti (17th century)
Accademia di San Luca
Durante Alberti belonged to a family of artists from Borgo Sansepolcro. He moved to Rome in 1572, and enjoyed considerable success there, rising to become the Director of the Accademia di San Luca in 1598. According to his biographer, he was devoted to the Capuchins and painted a number of panels for their convents. This is apparent from his surviving works in Umbria, many of which correspond to payments that he meticulously recorded in his diary, which were nearly all painted for Capuchin churches.
Assisi
Madonna and Child with saints (1599)
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✴one in 1596 for a signed panel of the Madonna and Child in glory with six saints, which has been lost; and
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✴a second in 1599.
This second payment has been associated with this panel from the church, which is now in the Pinacoteca Comunale. It depicts the Madonna and Child with SS Jerome, Francis and Clare.
Città di Castello
Panels (16th century)
These two panels in the Museo del Duomo, which are of unknown provenance, are attributed (somewhat tentatively) to Durante Alberti. They depict:
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✴the Visitation; and
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✴the raising of Lazarus.
Norcia
Madonna and Child with saints and angels (1590)
Perugia
Circumcision of Christ (1575?)
The altarpiece depicts the ceremony of circumcision, with two prophets below:
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✴Jeremiah on the left; and
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✴Habakkuk on the right.
The inscription between the prophets reads “ANO IVBILEI MDLXXV”.
There is some doubt about the date of the work and its author:
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✴Giovanni Francesco Morelli, writing in 1683, attributed it to “Durante dal Borgo”.
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✴Baldassarre Orsini, writing in 1784, gave the same attribution, but noted that others attributed it to the Flemish artist Michele Desubleo (1602-76).
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✴Giovanna Sapori, writing in 1981, reported that the panel had been painted by Durante Alberti for the Jesuits on the occasion of the Jubilee of 1575 (when he would have been 19 years old and living in Rome).
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✴The guide written by three Barnabite fathers in 2008 attributed it to Michele Desubleo. (If this is correct, the painting must have been executed after 1630, when Desubleo arrived in Italy).
All four references are given below.
Spello
Works in San Severino
The diary of Durante Alberti records three payments in 1595 from the Capuchin friars of Sant’ Onofrio for an altarpiece. They presumably brought it with them when they moved to San Severino in 1622. In fact, two panels in the church are attributed to Durante Alberti:
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✴the panel in the left transept, which depicts the Madonna and Child in glory with SS Francis and Onuphrius and which is probably the work executed in 1595; and
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✴the panel on the altar in the friars’ choir, which depicts the Madonna and Child with SS Bonaventure and Antony of Padua.
Read more:
L. Barroero et al. (Eds), “Pittura del Seicento e del Settecento: Ricerche in Umbria 2”, (1980 ) Treviso
This contains illustrations and associated notes on the pictures at: Assisi [168]; and Spello [730-1].
L. Barroero et al. (Eds), “Pittura del Seicento: Ricerche in Umbria” (1989), Perugia
This describes the painting at Norcia [2].
For the altarpiece in Perugia:
C. Corbetta (Ed), A. Bertini and and A. Manzana, “La Chiesa del Gesu di Perugia: Storia e a Arte”, (2008 ) Perugia
G. Sapori, “Perugia 1565-75: Girolamo Danti”, Bollettino d' Arte, 11 (1981) 1-12
B. Orsini, “Guida Al Forestiere Per l' Augusta Città di Perugia”, (1784) Perugia
F. Morelli, “Brevi Notizie delle Pitture e Sculture che Adornano l' Augusta Città di Perugia”, (1683) Perugia
Return to Art in: Assisi Città di Castello Norcia Perugia Spello.
Return to “Foreign” Painters in Umbria.