Key to Umbria: Perugia
 

Francesco Busti trained in Rome and then Venice before establishing a long career in his native Perugia.

Perugia

Miracle of St Vincent Ferrer (1730)

This altarpiece in the Cappella di San Vincenzo Ferreri in San Domenico is by Francesco Busti.  It depicts St Vincent Ferrer saving a man who has fallen from a window.  Busti’s biographer and contemporary, Baldassarre Orsini judged this altarpiece to be his best work.





Panels (18th century)

   

The following panels in the Chiesa della Morte are attributed to Francesco Busti:

  1. St Antony of Padua’s vision of the Madonna and Child (on the right wall of the chapel on the right); and

  2. St Philip Neri’s vision of the Madonna and Child (on the left wall of the chapel on the left). 

Panels (18th century)

    
    
    

The following panels in Santo Spirito are attributed to Francesco Busti:

  1. St Joseph and the Baby Jesus (ca. 1738);

  2. Madonna and Child with St Michael (1767);

  3. St James (18th century), which came from the church of San Giacomo; and

  4. the Immaculate Conception (18th century).

St John of the Cross (18th century)

This panel in the deposit of the Galleria Nazionale, which is of unknown provenance, is attributed to Francesco Busti.  The kneeling saint is surrounded by angels, one carrying a cross and one (a baby) carrying lilies.  This might be one of two (otherwise unknown) panels that Baldassarre Orsini attributed to this artist in his guide of 1784:

  1. a panel in Sant’ Angelo in Porta Eburnea, which he identified as portraying St John Nepomucen; or

a panel in Santa Teresa, which he described as “St John of the Cross with many angels, and with the Eternal Father and Jesus Christ above” (although these upper figures are missing). 


Return to Art in:  Perugia

 


Francesco Busti (1678-1767) 


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Francesco Busti in:  Perugia