Royal Titles of Cyrus the Great

Cyrus Cylinder 

Inscribed clay cylinder known as the ‘Cyrus Cylinder’ from the foundations of the wall of Babylon 

Image from the site of the British Museum, where the tablet is now housed (BM 90920)

The only known proclamation in Cyrus’ own ‘voice’ was inscribed in Babylonian (Akkadian) cuneiform on a clay cylinder (illustrated above) from Babylon that related to his capture of the city in 539 BC.  In the inscription, he described how Nabonidus, the erstwhile king of Babylon, had offended Marduk the most important of the Babylonian gods, with the result that Marduk had:

1. “... inspected (and) examined all of the lands [of the world], everyone of them, and constantly sought out a righteous king, the desire of his heart.  He took Cyrus (Kurash), lugal uru Anshan (king of the city of Anshan) by the hand, called (him) by his name (and) proclaimed him to be the ruler of the entirety of everything”, (RIMB, Cyrus II, 1: i, 11-12). 
   

Cyrus also introduced himself to his new Babylonian subjects as:

1. “... king of the world, great king, strong king, king of Babylon, king of the land of Sumer and Akkad, king of the four quarters (of the world), the:
   

2. ✴son of Cambyses (Kambuzia), great king, king of Anshan;
   

3. ✴grandson of Cyrus (I), great king, kin[g of] Anshan; and
   

4. ✴descendant or great grandson (liblibbu) of Teispes (Shipshish), great king, king of Anshan;
   

5. the eternal seed of kingship, whose reign the gods Bel (Marduk) and Nabu love, whose k[ingshi]p they desired to their heart’s content”, (RIMB, Cyrus II, 1: 1, 20-22).
   

The cylinder was discovered during the excavations that were undertaken at Babylon on behalf of the British Museum from February 1879.  Jonathan Taylor (referenced below) who presented all of the surviving (and often conflicting) evidence relating to the original discovery of the cylinder, concluded (at p. 89) that it was discovered (in tact) in March 1879.  He also looked at the conflicting evidence for the location in which the discovery was made, concluding (at p. 84) that: 

1. ✴the cylinder was probably found in a niche in a wall on the so-called Amron mound, having been deposited there during a restoration; and
   

2. ✴this wall might have belonged to the Esagil (temple of Marduk), but it was more probably part of the Imgur-Enlil, the inner wall of Babylon, since:
   

3. •Cyrus’ restoration of this wall  was recorded in the inscription  (at lines 38-42); and
   

4. •we also read that (presumably during this restoration) Cyrus saw:
   

5. “... an inscription with the name of Ashurbanipal, a king who had preceded [me]”, (line 43).
   

This former king was none other than the all-powerful Assyrian King Ashurbanipal (669 - ca. 630 BC), who had (like Cyrus) restored the wall in his capacity as the ‘foreign’ over-lord of Babylon. 

As we have seen, Jonathan Taylor (referenced below, at p. 89) established that the cylinder was in tact at the time of its discovery in March 1879.   However, he also established that it had been broken soon after, and that:

1. ✴only part of it (in his words, the ‘main fragment’) originally reached the the British Museum (in the following August); while
   

2. ✴a smaller fragment had found its way to Yale University  by 1920. 
   

Irving Finkel (referenced below, at p. 27) recorded that it was only in 1971 that scholars discovered that this ‘Yale fragment’:

1. “... was part of the British Museum [cylinder] and, what is more, that it actually joined it [as illustrated in Figure 6, at p. 28 and Figure 8, at p. 29]”.
   

He also noted that, in 2009/10, it had been recognised that two much smaller fragments that had arrived in the British Museum in 1881:

1. “... come from one large cuneiform tablet that once carried the same text as [that] inscribed on the [cylinder].” 
   

He published (at pp. 16-20) a composite translation of the texts from all of these sources, followed by his translation of the one-line colophon from the tablet: this colophon records the name of the scribe who ‘inscribed the text on the tablet: Qishti Marduk (which was followed by the now-lost name of his father).   

Finkel pointed out (at p. 39) that this composite text falls naturally into three distinct consecutive sections:

1. ✴Section 1 (CB: 1-19, written in the third person) describes the circumstances in which Marduk had mandated that Cyrus, king of the land of Anshan, should depose king Nabonidus from the throne of Babylon (see above);
   

2. ✴Section 2 (CB: 20-36, written in the first person), in which Cyrus used the more extravagant titles discussed above, constitutes Cyrus’ proclamation to his new subjects; and 
   

3. ✴Section 3 (CB: 37-45, written in the third person), largely concerned with Cyrus’ rebuilding/restoration of the urban fabric of Babylon.
   

He reasonably observed (at p. 33) that this text:

1. “... conveys a multipurpose message [that] is so well-tailored to a Babylonian readership that it must have seen a wider distribution [than that afforded by its use on] one invisible [foundation deposit].” 
   

He argued (at p. 38) that:

1. ✴the composite text had first been inscribed on a tablet, since:
   

2. “... no-one ever composed [as opposed to copied] a cuneiform text of a curvaceous cylinder”;
   

3. ✴Qishti Marduk copy represented an official copy (rather than a scribal exercise):
   

4. “... stemming from a chancery ... where multiple copies of official documents in diverse formats [e.g., tablets, cylinders] were produced”; and 
   

5. ✴the Cyrus cylinder was probably one of:
   

6. “... [many] such cylinders [that were] prepared for burial at suitable points in the city’s reconstruction: in each case, the cylinder inscription would be copied from a flat master copy ...”
   

Finally, he suggested (at p. 40) that the text had been taken from three separate sources:

1. ✴Section 1 came from:
   

2. “... a court chronicle or other appraisal of Cyrus’ early reign”;
   

3. ✴Section 2:
   

4. “... represents the words of  Cyrus himself, and perhaps ultimately reflects a Persian original”; and
   

5. ✴Section 3:
   

6. “... is a straightforward account [of Cyrus’ urban restoration of Babylon] that derives (at least in some measure) from the earlier text of Ashurbanipal [that was] found in the digging”
   

In short, Finkel reasonably suggested that important texts from three separate sources were first inscribed on an official tablet that was subsequently copied on:

1. ✴objects such as Qishti Marduk’s tablet, which facilitated the wide public transmission of royal propaganda; and
   

2. ✴objects such as the Cyrus Cylinder, which were buried as foundation deposits, for the benefit of future generations. 
   

mélie Kuhrt (referenced below, at p. 88) argued that:

“... it is fair to assume that the concluding line of the Cyrus Cylinder referred to the [return] of Ashurbanipal’s text [to the place] where it had been found and the placing of Cyrus’ inscription next to  it. 

This actually provides a clue to the ultimate purpose of the Cyrus Cylinder: it was composed to:

commemorate his restoration of Babylon, [in emulation of] that of his predecessor Ashurbanipal;

recount his [peaceful] accession [to the throne of Babylon] and his pious acts [there]; and

demonstrate to subsequent generations his legitimacy as ruler of Babylon.” 

She identified three strands of the text that contributed to this characterisation of Cyrus’ rule:

he had been chosen to be king of Babylon by Marduk himself;

he carried out all the religious requirements required of a such a king; and

he was the latest of a long line of benign ‘foreign’ rulers of Babylon, as exemplified by Ashurbanipal.