Key to Umbria: Perugia
 

The hypogeum of the Velimna (in Latin, Volumni) family was discovered in 1840 at what proved to be the edge of the Palazzone Necropolis.   Very few grave goods were found in place, which suggests that the hypogeum had been violated at an earlier date. 

The building over the hypogeum was built in the 19th century. 




The modern flight of steps that now leads down to it replaces the original sloping passage that led to a door frame closed by a travertine slab. 





The inscription (CIE 3754) that can still be seen on the right door jamb of the entrance reads:

arnth larth velimnas/ arzneal husiur/ suthi acil hece

Arnth [and] Larth Velimnas, sons of Arznei, placed [this] tomb [and] gifts [here]

The layout of the hypogeum is similar to that of an Etruscan villa:

  1. The main entrance (illustrated at the top of this page) opens into a large central atrium, the ceiling of which imitates a pitched wooden roof.   The relief above the entrance depicts a medusa between dolphins.

  2. The room beyond, which corresponds to the tablinum (dining room), still contains the seven urns (see below) discovered in 1840.  

  3. There are two smaller rooms to each side of the tablinum and two more off each side of the atrium.   These were presumably intended to house the urns of later generations, but they seem never to have been used.  Indeed, some of them were never finished.

Each of the rooms of the hypogeum has a coffered ceiling and a shelf carved into the rock on which urns could be placed.  [Two of them have Medusa's heads in shields on the ceiling, and a crested snake projecting from the wall.  One of these rooms has an owl in relief in each corner, and a snake's head below it.] 

Cinerary Urns in the Tablinum


The tablinum contains seven urns, six of which are made of travertine covered with stucco decoration.  In each of these, the ashes are interred in a high pedestal, with the deceased reclining (or in one case sitting) above and identified by an Etruscan inscription. 

Arnth Velimnas, son of Aule

This urn at the centre of the back wall is the finest of the seven and belonged to one of the two founders of the tomb.  Arnth (like his male relatives to the right) is shown on the lid, reclining on an elaborate couch, as if at a banquet.  Two winged demons that are carved in deep relief on the front of the urn guard the frescoed door to Hades, where figures of his ancestors (badly damaged) wait to greet him. 




Male Relations of Arnth Velimnas

The four urns to the right belong to male relatives of Arnth.  Proceeding clockwise, these are identified as:
  1. Vel and Larth Velimnas, sons of Aule and thus Arnth's brothers;

  2. Aule Velimnas Thephrisa Nuphrznal, who was probably the father; and

  3. Thephri Velimnas Tarchis Clan, who was probably the grandfather.

Larth was the  co-founder of the hypogeum, but the position of his urn suggests that he died after his (presumably younger) brother Vel.  The urns of Vel, Larth and Aule are very similar: each of these men reclines (like Arnth) on the lid of his urn, so that they seem to be sharing a meal.  The urn of Thepri (on the right in this photograph) is much simpler and is oddly detached near the entrance to the tablinum, which suggests that it was moved here from its original location. 

Veilia Velimnei Arnthial

The urn to the left of that of Arnth belongs to his unmarried daughter, who sits upright at table in the Roman manner.  (It is interesting to note that, unlike the Greeks, the Etruscans included women at their formal banquets.  However, they are usually shown reclining). 






Publius Volumnius Violens, son of Aulus 

The next urn to the left is quite distinct from the others in the hypogeum.  It is made from Luna marble, which was only mined in significant quantities after ca. 40 BC.  It takes the form  of a Roman temple, and seems to have been inspired by the much larger and grander Ara Pacis (altar of peace) in Rome, which was dedicated in 9BC.  The urn was probably made in Rome at about this time, and it would have been in the most “modern” style of its day. 


Despite the very Roman character of the urn, it has a bilingual funerary inscription:

  1. The Latin inscription on the lintel of the door to the fictive temple, which identifies the deceased as:

  2. P[UBLIUS] VOLUMNIUS A[ULI] F[ILIUS] VIOLENS

  3.  CAFATIA NATUS

  4. The Latin "Cafatia natus" reveals that the mother of Publius Volumnis was called Cafatia.  He was obviously very “Romanised”, and had adopted a Roman cognomen, Violens.   This was presumably meant to imply descent from Lucius Volumnius Flamma Violens, who was the first plebian to become Consul in Rome, in 307 BC.  

  5. The Etruscan inscription, which also uses the Etruscan alphabet, appears on the lid of his urn:   

pup[li] velimna au[le] cahatial

  1. "Cahatial" must have had the same meaning in Etruscan as the Latin "Cafatia natus".

The inscription is put into context in the page on Etruscan Inscriptions  after 295BC.

Other Members of the Volumni Family 

Nine urns belonging to women of the Velimnas family, which probably pre-date the urns in the Ipogeo dei Volumni, were discovered in 1797 in another hypogeum on this site.  Three of them are exhibited in the Museo Archeologico (exhibits 124-6, photographed here). 



Three inscriptions also in the Museo Archeologico (exhibits 243-5) commemorate later members of the family:

  1. Part of the travertine funerary inscription of Lucius Volumnius Perusinus (243) came from an unknown location.

  2. The funerary inscription of Volumnius Primigenius and his wife Caenia Crescens (244)was found near the church of San Costanzo in 1742.

  3. An inscription commemorating Publius Volumnius Violens, son of Publius (245) was preserved in San Francesco delle Donne until 1815. 

Publius Volumnius Violens, son of Publius had served as quattuorvir and then duovir, and the inscription relates to something (presumably a statue) that the citizens and other inhabitants of Perusia had dedicated to him.  The change of the form of the magistracy of Perugia pointed up in this inscription is thought to have occurred after the Perusine War (40 BC).  It is interesting to note that he survived this upheaval with his prestige in tact.

This Publius Volumnius Violens may have been the son of man who had chosen to be buried in the hitherto closed family hypogeum shortly after 9 BC, although this implies that he achieved the rank of quattuorvir at an early age and that his father died at an unusually late age.   It is perhaps more likely that the men were cousins. 

 


Ipogeo dei Volumni (2nd and 1st century BC) 


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Complex:  Palazzone Necropolis   Ipogeo dei Volumni    Antiquarium del Palazzone